试论《聊斋志异》中狐精的“仁性”特征  

On the“Benevolence”Characteristics of Fox Spirits in Strange Tales of a Lonely Studio

作　　者：王艺乔 许勇强[1] WANG Yi-qiao;XU Yong-qiang(School of Humanities,Xidian University,Xi’an,Shaanxi 710126,China)

机构地区：[1]西安电子科技大学人文学院,陕西西安710126

出　　处：《河北民族师范学院学报》2023年第3期67-73,共7页Journal of Hebei Normal University For Nationalities

摘　　要：《聊斋志异》是中国文言小说描写狐精的集大成者,创造了一个独具人性和人情美的理想狐世界。蒲松龄既继承了前代文学所积累的狐创作经验,又吸收了儒家仁者爱人的核心思想,基于自己独特的生活经验和情感体验,在《聊斋志异》中发展出带有鲜明时代烙印的“蒲氏仁学”,塑造出具有孝亲、友悌、知恩图报和乐善好施等“仁性”品质的完美狐精形象,面对理想与现实的巨大反差,生发出人不如狐的哀叹。Strange Tales of a Lonely Studio,a masterpiece of Chinese classical novels describing foxes and ghosts,has created an ideal fox world with unique humanity and human beauty.Pu Songling not only inherited the fox creation experience accumulated in the previous literature,but also absorbed the core idea of the Confucian benevolence.Based on his own unique life experience and emotional experience,Pu’s benevolence theory with a distinct brand of the time was developed in Strange Tales of a Lonely Studio,creating perfect fox spirits image with the“benevolence”quality of filial piety,friendship and kindness.In the face of the great contrast between ideal and reality,Pu Songling gave out the lament that people are not as good as foxes.

关 键 词：《聊斋志异》 狐精 仁性 儒学 

分 类 号：I242[文学—中国文学]