布德尔的雕塑语言研究——以三件头像雕塑为例  

Research on Bourdelle's Sculpture Language——Taking Three Head Sculptures as Examples

作　　者：高帆 冯都通 Gao Fan;Feng Dutong(Jingdezhen Ceramic University)

机构地区：[1]景德镇陶瓷大学

出　　处：《景德镇陶瓷》2023年第3期69-72,共4页Jingdezhen Ceramics

摘　　要：本文以埃米尔安托万布德尔的三件头像作品《拉弓的赫拉克勒斯》、《贝多芬》、《有立体底座的阿波罗头像》为重点,浅析布德尔风格的转变以及布德尔对头像雕塑的塑造理念,得出布德尔将古典审美的秩序与现代表达相结合,并对后世产生了影响。This article focuses on the three head works of Emile Antoine Bourdelle,"Hercules with a Bow","Beethoven",and"Apollo Head with a Three-dimensional Base",and briefly analyzes Bourdelle's style as well as his idea of shaping head sculptures,it can be concluded that he combined the order of classical aesthetics with a modern expres sion and had an impact on later generations.

关 键 词：布德尔 头像雕塑 雕塑风格 构造 

分 类 号：J305[艺术—美术]