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作 者:曾超 Zeng Chao
机构地区:[1]不详
出 处:《景德镇陶瓷》2023年第3期96-98,共3页Jingdezhen Ceramics
摘 要:花鸟作为自然元素,早在新石器时期就被人们关注,并将其刻画在岩壁、陶器之上,这些画作可谓是最早的花鸟画。从其衍生出来的工笔花鸟画亦经历了很长的发展历程,随着时代的发展进步,当代工笔花鸟画的艺术表达也变得更加多样,在保留了传统绘画语言的基础上,不断汲取时代文化和外来艺术,形成了独具特色的绘画风格。Flowers and birds,as natural elements,have been paid attention to by people as early as the Neolithic Age,and they were depicted on rock walls and pottery.These paintings can be regarded as the earliest flower and bird paintings.The meticulous flower-and-bird painting derived from it has also experienced a long development process.With the development and progress of the times,its contemporary artistic expression has become more diverse.On the basis of retaining the traditional painting language,it has continuously learned from the times and foreign arts and formed a unique painting style.
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