电影服装中汉服的视觉文化形态  

The Visual and Cultural form of Hanfu in the Movie Costume

作　　者：王斌[1] WANG Bin(Xijing University,Xi'an 710123,China)

机构地区：[1]西京学院,陕西西安710123

出　　处：《鞋类工艺与设计》2023年第15期18-20,共3页SHOES TECHNOLOGY AND DESIGN

摘　　要：视觉文化即文化脱离语言为主导的理性主义形态,日趋转变为基于形象影响的感性主义形态的一种文化现象。电影作品属于一种视觉文化,旨在以视觉影响传播思想与文化观念,而服装作为电影作品的语言形式,也与电影其他元素同样发挥着烘托场景氛围、表达电影主旨的重要任务。所以,服装设计与电影深层内涵的视觉文化传达息息相关。本文主要对电影服装中汉服的视觉文化形态进行了深入探究。Visual culture is a cultural phenomenon separated from the language,into the form of sensibility based on the influence of image.Film works belong to a kind of visual culture,aiming to spread ideas and cultural concepts through visual influence.As the language form of the film work,clothing also plays an important task of setting off the scene atmosphere and expressing the main idea of the film along with other elements of the film.Therefore,costume design is closely related to the visual and cultural communication of the deep connotation of the film.This paper mainly explores the visual and cultural form of hanfu in the film costume.

关 键 词：电影服装 服装设计 汉服 视觉文化形态 

分 类 号：J918[艺术—电影电视艺术]