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作 者:南方 NAN Fang(Faculty of Chinese Language and Literature,Northwest Minzu University,Lanzhou 730030,China)
机构地区:[1]西北民族大学中国语言文学学部,甘肃兰州730030
出 处:《四川职业技术学院学报》2023年第4期117-122,共6页Journal of Sichuan Vocational and Technical College
摘 要:战后德语作家克里斯塔·沃尔夫在小说《卡珊德拉》中构想的斯卡曼德河畔的洞穴是富有代表性的女性乌托邦书写。沃尔夫的女性乌托邦思想根源于德语文学中乌托邦书写传统、浪漫主义女性思想与矿山喻象,在核威胁阴霾笼罩的时代环境中,小说采用重构经典神话的叙事策略,在反英雄叙事中张扬和谐共处的群体价值观,以“主观真实性”写作原则颠覆传统线性叙事模式,在对女性乌托邦的想象性建构中反思启蒙理性,觅求超越对立的真实生活,构建自然与精神都能诗意栖居的生态乌托邦愿景。The post-war German writer Christa Wolf's novel Cassandra conceives a representative female utopian writing in the caves on the bank of River Scamander.Wolf's idea of female utopia is rooted in the tradition of utopian writing in German literature,Romantic female thought and the metaphor of mine.In the era of nuclear threat haze,the novel adopts the narrative strategy of reconstructing classic myths,promotes the group values of harmonious coexistence in the anti-hero narrative,and subverts the traditional linear narrative mode with the writing principle of"subjective authenticity".In the imaginative construction of a feminist utopia,the novel reflects on enlightening reason,seeks to transcend the real life of opposites,and builds an ecological utopia in which both nature and spirit can live poetically.
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