罗伯-格里耶小说中的“窥视”艺术  

The Art of Peeping in Robbe-Grillet's Novels

作　　者：冯麒如 FENG Qiru(School of Liberal Arts,Lanzhou University,Lanzhou 730000,China)

机构地区：[1]兰州大学文学院,甘肃兰州730000

出　　处：《四川职业技术学院学报》2023年第4期123-128,145,共7页Journal of Sichuan Vocational and Technical College

基　　金：甘肃省哲学社会科学规划项目“当代诺奖小说的叙事艺术对甘肃小说‘走出去’的启示”(20YB077)。

摘　　要：罗伯-格里耶作为法国“新小说教父”,以极富个性化与客观冷静的风格颠覆传统小说创作手法,积极实践反常规写作,引领“新小说”流派在后现代主义文学派系中崛起。其代表作《橡皮》《窥视者》与《嫉妒》的理念实践都展现出强烈的先锋性与反叛性,为小说艺术发展增添了不可忽视的新可能。“窥视”作为一种独特的叙述眼光成就了罗伯-格里耶小说典型鲜明的冷肃文风,同时作为重要的叙事角度参与承担进作品的人物描绘、空间建构与结构交织。本文拟从以上三方面具体考察罗伯-格里耶小说中的“窥视”艺术展现。As the"godfather of the Nouveau Roman"in France,Alain Robbe-Grillet subverts the traditional novel writing techniques with a highly personalized and objective calm style,with positively practice of anti-conventional writing,he leads the rise of the"Nouveau Roman"in the postmodernism literary schools.His practice of Les Gommes,La Voyeur and La Jalousie all show strong avant-garde and rebellious nature,extend new possibilities for the development of novel art that cannot be ignored."Peeping",as a unique narrative vision,contributes to the typical bleak style of Robbe-Grillet's novels.At the same time,as an important narrative angle,peeping takes part in the description of characters,space construction and structure interweaving of the works.This paper intends to analyze the artistic manifestation of"peeping"in Robbe-Grillet's novels from these three aspects above.

关 键 词：罗伯-格里耶 窥视 新小说 《窥视者》 

分 类 号：I561.074[文学—其他各国文学]