浅谈时代意识对瓦当艺术的影响——以秦汉时期为例  

Brief Discussion of the Influence of Period Consciousness on the Art of Wadang——Taking the Qin and Han Periods as an Example

作　　者：于洁 Yu Jie(Jingdezhen Ceramic University,Jiangxi,Jingdezhen,333403,China)

机构地区：[1]景德镇陶瓷大学,江西景德镇333403

出　　处：《陶瓷》2023年第8期96-98,共3页Ceramics

摘　　要：在秦汉时期,中国开始建成中央集权的统一国家,对国家、民族和文化的认同感逐渐产生。而作为古代中华文明的典范时代,国祚短暂的秦国和立国长久的汉代从根本上重塑了中华民族的艺术和文化,这也必然带来了艺术上的活跃,其锐意进取、疏犷开阔的时代精神不免对瓦当艺术产生了一定的影响。笔者通过整理收集秦汉时期瓦当相关的图片资料、古籍、相关文章等,浅析秦汉时期的时代意识对瓦当上图案纹饰形成、演变以及其背后深层次所被赋予的特殊含义。The Qin and Han dynasties which China began to build a centralized and unified state and a sense of national,ethnic and cultural identity gradually emerged.As an exemplary era of ancient Chinese civilization,the short-lived Qin state and the long-established Han dynasty fundamentally reshaped the art and culture of the Chinese nation,which inevitably brought about artistic activism,and its enterprising,sparse and open spirit of the times inevitably had an impact on the art of wadang.The aim of this essay is to collate and collect photographic material,ancient texts and articles relating to the tile pendants of the Qin and Han dynasties,and to try to analyze the influence of the Qin and Han dynasties on the formation and evolution of the motifs on the tile pendants,as well as the special meaning given to them at a deeper level.

关 键 词：瓦当 秦汉时代意识 纹样 含义 

分 类 号：J52[艺术—艺术设计]