浅析元明清青花釉里红瓷器及纹饰画面  

Analysis of Blue and White Glaze Red Porcelain and Decorative Picture in Yuan and Ming Dynasties

作　　者：刘冉 Liu Ran(Jingdezhen Ceramic University,Jiangxi,Jingdezhen,333403,China)

机构地区：[1]景德镇陶瓷大学,江西景德镇333403

出　　处：《陶瓷》2023年第8期118-120,共3页Ceramics

摘　　要：青花釉里红是陶瓷艺术中素雅与艳丽的完美结合,其色调和装饰纹样画面具有广泛的多变性,色彩可浓可淡,绘画风格可写实可写意。同时又因其制作困难、烧制成品率低,故极为名贵。元、明、清三代、从创烧到鼎盛,不同朝代和不同的时期,青花釉里红瓷器都有其独特的艺术特色与价值,是古代匠人智慧的结晶,充分地体现陶瓷艺术的包容性和可创造性。Blue and white enamel red is the perfect combination of elegant and gorgeous ceramic art,its color and decorative pattern picture has a wide variety,color can be strong or light,painting style can be realistic or freehand.At the same time,because of its difficult production and low firing yield,it is extremely valuable.Yuan,Ming,Qing three generations,from the creation of burning to the peak,different dynasties,different periods,blue and white glazed red porcelain has its unique artistic characteristics and value,is the crystallization of ancient craftsmen wisdom,fully reflects the inclusiveness of ceramic art and creativity.

关 键 词：元明清 青花釉里红 纹饰画面 

分 类 号：TQ174.74[化学工程—陶瓷工业]