图写祥瑞:《降真图》与唐宋辽时期的政治想象  

Illustration of Auspiciousness:The Descending Image and the political imagination in the Tang,Song and Liao dynasties

作　　者：何康 He Kang

机构地区：[1]中国美术学院艺术人文学院,浙江杭州310009

出　　处：《南京艺术学院学报（美术与设计）》2023年第4期19-23,I0009,共6页Journal of Nanjing Arts Institute:Fine Arts & Design

基　　金：中国美术学院基本科研业务费项目《先秦至唐宋时期屏风与社会艺术史研究》(9000062323015015)阶段性研究成果。

摘　　要：宝山辽墓M1内石房东壁《降真图》的主旨,应是表达丧家授意下模拟生时环境、充满政治想象的礼仪空间,与唐宋政治话语中频繁引述“汉武故事”有关。“汉武故事”的流变,最终落定为依附皇权、反映政治祥瑞与执政规范的特殊符号。这种符命观昭彰政治正统,与辽代初期的政治想象一致,表现为政权合法性建设中君权与神权的一统。The main purpose of“the Descending Truth”on the east wall of the stone room in the M1 of the Liao tomb at Baoshan is to express anetiquette space full of political imagination that simulates the environment of the birth time under the instructions of the mourning family,which is related to the frequent references to the Hanwu stories in Tang and Song political discourse.The evolution of the Hanwu stories was eventually defined as a special symbol dependent on imperial power,reflecting political auspices and governing norms.This view of the talismanic order was a manifestation of political orthodoxy,which was consistent with the political imagination of the early Liao dynasty,as a unification of monarchical and divine power in the construction of regime legitimacy.

关 键 词：《降真图》 汉武故事 祥瑞符号 政治正统 

分 类 号：J209[艺术—美术]