一形三影:故宫博物院藏钱选款《山居图》卷考辨  

One Shape and Three Shadows:An analysis of Qian Xuan’s Shanjutu scroll in the Palace Museum

作　　者：熊言安 Xiong Yan'an

机构地区：[1]安庆师范大学人文学院,安徽安庆246011

出　　处：《南京艺术学院学报（美术与设计）》2023年第4期45-50,I0009,共7页Journal of Nanjing Arts Institute:Fine Arts & Design

摘　　要：故宫博物院藏钱选款《山居图》,鉴定界多以为钱选真迹。然而,款题书风、印章皆与钱选真迹不符,此画之外存在另一种《山居图》,二图中钱选款题有一段文字雷同。此画与《幽居图》在构图上呈逆向关联,反映了钱选伪作的流行程度。《山居图》出现应不晚于明初。鉴定界对此画的误判,或与钱选青绿山水“样板”缺失等原因有关。TheShanjutuby Qian Xuan collected by the Palace Museum is mostly considered by the appraisal community to be an authentic work of Qian Xuan.However,the calligraphy style,seal characteristics,and authentic works of Qian Xuan's postscript do not match,and there is another type of Shanjutu besides this painting,the signature of Qian Xuan in the two paintings has some similarities in text.ShanjutuandYoujutu exhibit a reverse correlation in composition,reflecting the popularity of Qian Xuan's fake paintings.The appearance of Shanjutu should not be later than the early Ming dynasty.The misjudgment of the authenticity of this painting by the appraisal community may be related to the lack of“templates”in Qian Xuan's green landscape paintings.

关 键 词：钱选 《山居图》《霅溪翁山居图卷》《幽居图》 青绿山水 

分 类 号：J222[艺术—美术]