炳灵寺石窟第132窟壁画内容初探  

A Preliminary Research on the Murals of No.132 Cave of Bingling Temple Grottoes

作　　者：赵雪芬 Zhao Xuefen

机构地区：[1]甘肃炳灵寺文物保护研究所,永靖731600

出　　处：《西藏研究》2023年第3期101-107,162,共8页Tibetan Studies

基　　金：甘肃省2022年度文物保护科学和技术研究课题“临夏明代藏传佛教寺院调查与研究”(项目编号:GS WW202206)阶段性成果。

摘　　要：炳灵寺石窟第132窟壁画系明代藏传佛教和道教风格,其中以藏传佛教壁画为主,壁画绘制精美,保存完整,内容复杂。分析壁画的空间布局和图像发现,该窟为藏传佛教密宗的实修窟,壁画内容围绕行者实修展开,主要表现在四方面,一是观想成就法象,二是入法界经变画,三是供养像,四是护法像。道教壁画占比较少,为明代流行的三霄娘娘、监生高元帅等与送子有关的艺术题材,表达了功德主们求子嗣的愿望。The style of murals in no.132 cave of Bingling Temple grottoesare Tibetan Buddhism and Taoism in the Ming Dynasty.Tibetan Buddhism is the main style among these murals which are exquisite,complete preservation and complex in content.Through analyzing the spatial arrangement and the content of these murals,the author argues that these murals are a practice of Tibetan Buddhism Tantrism.There are four reasons that the author explained,first of all is the presence of the visualize and achieve the Dharma image,second is the painting of entering the Dharma Realm through transformation,third is the presence of Bodhisattva Making Offerings image and the last one is the presence of Dharma Protectors image.The Taoism style murals,less than Tibetan Buddhism murals,are mainly about sending children,expressing the wish of the believers.

关 键 词：第132窟壁画 密教图像 经变画 

分 类 号：K879.41[历史地理—考古学及博物馆学]