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作 者:李源[1] 王崇屹 曹莹 张亮山 LI Yuan;WANG Chongyi;CAO Ying;ZHANG Liangshan(Yunnan Normal University,Kunming Yunnan,650500,China)
机构地区:[1]云南师范大学,云南昆明650500
出 处:《文化创新比较研究》2023年第15期91-96,共6页Comparative Study of Cultural Innovation
基 金:云南师范大学2022年国家级创新训练计划项目“融合与创新:民族共同体意识下的国家级非遗大理白剧发展现状及传承调查”(项目编号202210681013)阶段性成果。
摘 要:白剧作为白族人民喜闻乐见的民间文艺形式,广泛流传于云南省大理白族自治州境内,并深深扎根于白族人民的生产生活中。白剧艺术的文化生态空间包含了白族人民的生活习惯、文学特色、民族审美、音乐艺术等方面。通过前期的调研发现,白剧艺术面临着文化生态土壤流失、剧团建设不完善、断代现象严重、传承机制存在低效与漏洞等诸多问题。该文针对大理白剧现存问题,提出构建白剧创作与评估机制、进行探索性教学、拓宽白剧文化传播渠道和更新白剧传播等创新策略。保护与传承白剧艺术,应垒实文化生态基土,保证剧种有“物”所用;完善剧团建设体系,改善传承“断代”问题;提升非遗传承效能,不断补全缺失漏洞;加快确定白剧道白的统一性。The Bai Opera,a popular folk art form beloved by the Bai people,is widely circulated in the Dali Bai Autonomous Prefecture in Yunnan Province and deeply rooted in the production and life of the Bai people.The cultural ecological space of Bai Opera art encompasses the Bai people's lifestyle habits,literary characteristics,national aesthetics,and musical art.Through preliminary research,it was found that Bai Opera art faces many problems such as loss of cultural ecological soil,imperfections in the construction of troupes,serious generation gap issues,and inefficiencies and loopholes in the inheritance mechanism.This paper proposes innovative strategies to address the existing problems of Dali Bai Opera,including constructing Bai Opera creation and evaluation mechanisms,conducting exploratory teaching,broadening the cultural communication channels of Bai Opera,and updating Bai Opera communication.To protect and inherit Bai Opera art,we should strengthen the cultural ecological base to ensure the genre has resources for use,improve the construction system of troupes to address the"generation gap"issue,enhance the effectiveness of intangible cultural heritage inheritance,continuously fill in missing gaps,and expedite the establishment of normative Bai Opera recitation.Moreover,efforts should be made to quickly establish standardized norms for the spoken parts in Bai Opera performances.
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