照相馆:新记《大公报》的重要新闻生产者  

Photo Studio:Important News Producers in Xinji Ta Kung Pao

作　　者：李秀云[1] 韩洪影 LI Xiu-yun;HAN HONG-ying(School of Journalism and Communication,Tianjin Normal University,Tianjin 300051,China)

机构地区：[1]天津师范大学新闻传播学院,天津300051

出　　处：《编辑之友》2023年第8期96-104,共9页Editorial Friend

基　　金：国家社会科学基金项目“以学刊为中心的新闻学术思想史研究(1927-1949)”(18BXW017)

摘　　要：《大公报》1926年复刊后非常重视新闻图像的使用,但报馆缺乏专职摄影记者,只能寻求外援,而照相馆作为早期专业摄影机构,自然成为报馆的合作对象。由此,报馆获得新闻照片以飨读者,而照相馆也借此获得了免费广告的机会。从1926年到1937年,共有31家照相馆为新记《大公报》提供了234幅新闻照片,这些照相馆也成为报馆重要的新闻生产者。照相馆为新记《大公报》提供的新闻作品主要包括对政要人物、外交往来的影像报道,以及借影像宣传航空救国和倡导体育运动等。照相馆参与报馆的新闻生产,可以说是民国时期的一种普遍现象,某种程度上体现了双方共同愿景的构建和新闻观念的认同。After the relaunch of Ta Kung Pao,it attached great importance to the use of news images,but the newspaper office lacked full-time photojournalists and had to seek external assistance.As an early professional photography agency,the photo studio became a natural partner of the newspaper office.In this way,newspapers were able to obtain news photos for their readers,and photo studios were given the opportunity to advertise for free.From 1926 to 1937,a total of 31 photo studios provided 234 news photos for the Xinji Ta Kung Pao,and these photo studios became important news producers for the newspaper.The photo studios mainly provided news coverage of dignitaries and diplomatic exchanges,as well as images to promote national salvation through aviation and sports.The participation of the photo studio in the news production of the newspaper can be said to be a common phenomenon in the period of the Republican era,which to some extent reflects the construction of a common vision and the identification of journalistic concepts between the two sides.

关 键 词：《大公报》 照相馆 新闻生产 新闻照片 

分 类 号：G210[文化科学—新闻学]