繁华落尽是流俗 暗中求明皆众生——评马华作家黎紫书的长篇小说《流俗地》  

Prosperity is Nothing but Vulgarity,Secretly Seeking the Light of all Beings:Comment on the Novel The Prevalent Customr Land by Li Zishu,a Malaysian Writer

作　　者：吴昊 朱慧珍 WU Hao;ZHU Huizhen(College of Arts,Hunan Normal University,Changsha 410081,Chin)

机构地区：[1]湖南师范大学文学院,湖南长沙410081

出　　处：《东莞理工学院学报》2023年第4期57-64,共8页Journal of Dongguan University of Technology

摘　　要：《流俗地》是黎紫书为马来西亚苍生刻画的一幅“长卷浮世绘”,也是她为那些在现代化进程的罗网中苦苦挣扎和求索的匹夫匹妇谱写的一曲生命悲歌。她以马华各族群所在地的日常生活景观、民间信仰镜像和现代化生存体验为支点,对市井红尘里千回百转的世道人情进行展览和呈现,不仅架构起了一部柳暗花明的生命传奇,还涂抹出了一场回望过去的悲悼仪式。《流俗地》的问世,标志着黎紫书的创作生涯翻开了新的一页,使其回归自我的“本土诗学”得到了成功实践。在这部小说中,黎紫书以得天独厚的马华在地经验、苦心经营的艺术技巧和孜孜以求的文学创作精神照亮了自己的野生小说王国。The Prevalent Customr Land is a“long scroll of Ukiyoe painting”portrayed by Li Zishu for the Malaysian people,and also a song of life elegy composed by her for those who are struggling and seeking in the net of modernization process.Taking the daily life landscape,the reflection of folk beliefs and the modern living experience of the ethnic groups as the fulcrum,she exhibits and presents the twists and turns of the world in the city and the world.She not only constructs a life legend,but also paints a mourning ceremony looking back on the past.Its publication marks the opening of a new chapter in Li Zishu’s creative career and the successful practice of his“local poetics”of returning to self.In this novel,Li Zishu illuminated her wild novel kingdom with her unique experience in Malaysia,painstaking artistic skills and diligent literary creation spirit.

关 键 词：《流俗地》 黎紫书 民间性 生命悲歌 现代化进程 回归自我 

分 类 号：I106.4[文学—世界文学]