肖邦《f小调幻想曲》Op.49的创作特点与演奏方法  

Analysis of Composition Characteristics and Performance Methods of Chopin's Fantasy in F minor,Op.49

作　　者：崔秀峰[1] CUI Xiu-feng(Piano Department,Shenyang Conservatory of Music,Shenyang Liaoning 110818,China)

机构地区：[1]沈阳音乐学院钢琴系,辽宁沈阳110818

出　　处：《齐齐哈尔大学学报（哲学社会科学版）》2023年第8期133-137,共5页Journal of Qiqihar University(Philosophy & Social Science Edition)

摘　　要：肖邦所创作的第四十九号作品《f小调幻想曲》正是其代表作品之一,该首钢琴曲被创作于1840年到1841年之间,通过采用变奏曲式、回旋曲式以及变奏曲式混合曲式结构,利用引子、呈示部、发展部、中段、再现部、尾声等六个部分,更真实、有效的呈现出浪漫主义钢琴曲,因而《f小调幻想曲》也被视为浪漫主义时期音乐作品的代表,Op.49对学习钢琴曲创作结构、了解浪漫时期钢琴音乐特点都有积极的影响。Chopin's No.49 work Fantasy in F minor is one of his representative works,which was composed between 1840 and 1841,using the structure of variations,rondo and mixed forms,using six parts,including introduction,presentation,development,midsection,reproduction,and epilogue,presents the romantic piano music more realistically and effectively,so Fantasy in F minor is also regarded as a representative of musical works in the romantic period.op.49 has a positive impact on learning the structure of piano composition and understanding the characteristics of piano music in the romantic period.

关 键 词：《f小调幻想曲》 创作特点 演奏方法 

分 类 号：J624.1[艺术—音乐]