浅析战国蜻蜓眼琉璃珠的艺术风格流变及设计启示  

Analysis of the Artistic Style Evolution and Design Inspiration of Dragonfly-eyes Glazed Beads in the Warring States Period

作　　者：韩文静 李耿[1] HAN Wenjing;LI Geng(School of Gemmology,China University of Geosciences(Beijing),Beijing 100083)

机构地区：[1]中国地质大学(北京)珠宝学院,北京100083

出　　处：《中国宝玉石》2023年第4期3-9,41,共8页China Gems & Jades

摘　　要：蜻蜓眼琉璃珠是古代社会广为应用且风格鲜明的装饰物件,自东、西周时期从西亚地区传入,于战国时期发展至巅峰,并在此期间形成了具有中华文化风貌及时代特征的独有艺术风格。本文以战国时期出土的各式蜻蜓眼琉璃珠为研究对象,结合时代背景及文化特色,分析其在功能、内涵、视觉审美等方面的流变。研究发现,战国时期的蜻蜓眼琉璃珠在中华文化大环境的影响之下视觉审美、使用功能、文化寓意等方面均产生了一定程度的变化,成为战国时期蕴含礼制规则、文化交流的特色符号,又蕴含当时时代背景下所特有的审美倾向。本文根据研究结果为现代首饰设计提出了一定思路与设想。Dragonfly-eyes glazed beads are widely used decorative objects with distinctive styles in ancient society.They were introduced from West Asia during the Eastern and Western Zhou Dynasties,and reached their peak during the Warring States Period.And in the Warring States Period,a unique artistic style with Chinese cultural features and characteristics of the times was formed.This article takes the various dragonfly-eyes glazed beads unearthed during the Warring States Period as the research object,and combines the background and cultural characteristics of the times to analyze their evolution in terms of function,connotation,and visual aesthetics.The study found that under the influence of the Chinese cultural environment,dragonfly-eyes glazed beads in the Warring States period had a certain degree of change in terms of visual aesthetics,use functions,and cultural implication.It became a characteristic symbol of etiquette rules and cultural exchanges in the Warring States Period,and it also contained the unique aesthetic tendency in the background of that era.According to the research results,this paper puts forward certain ideas and assumptions for modern jewelry design.

关 键 词：蜻蜓眼琉璃珠 起源 功能与内涵 视觉审美 艺术设计 

分 类 号：J527.4[艺术—艺术设计]