《三国演义》评点中的“奇正”观念及其理论蕴含  

The Concept and Theoretical Implications of"Qi-Zheng"in the Commentary of Romance of the Three Kingdoms

作　　者：朱嘉璇 Zhu Jiaxuan(School of Literature,Shandong University,Jinan 250100,China)

机构地区：[1]山东大学文学院,山东济南250100

出　　处：《齐鲁师范学院学报》2023年第4期140-146,共7页Journal of Qilu Normal University

基　　金：国家社科基金重大项目“中国古代小说理论术语考释与谱系建构”(19ZDA247)的阶段性成果。

摘　　要：“奇正”观念大概源于《周易》阴阳双构思维,最初被用于兵学,后被引入文论,终在小说批评领域中显示出丰富的审美蕴涵。在毛纶、毛宗岗父子等评点者看来,作为明代“四大奇书”之一的《三国演义》,以“奇”为美、以“正”为本,既凭着对“奇人”“奇事”的书写以及“奇笔”运用取胜,又常常合乎正规常则。这种“奇正相生”观念体现的是中国古代“正经”传统的延续与发展,只有将“奇”与“正”巧妙结合,才能达到既生动活泼、引人入胜又依经傍史、符合正道的创作效果,实现小说审美与教化层面的双重价值。The concept of"Qi-Zheng"is assumed to derive from the dual structure thinking of yin and yang in Zhou Yi,which is initially applied in military science and later introduced into literary theory,showing rich aesthetic connotations in the field of novel criticism.In the view of critics such as Mao Lun and Mao Zonggang,as one of the"Four Wonderful Books"of the Ming Dynasty,Romance of the Three Kingdoms takes""oddity"(Qi)as poetic beauty and"righteousness""(Zheng)as a fundamental.It is not only based on the writing of"strange people""and"strange events"and the use of"strange brush",but often conforms to the regular rules.This concept of"mutual generation of Qi and Zheng"reflects the continuation and development of the ancient Chinese tradition of"righteousness based on classics".Only by skillfully combining"Qi"and"Zheng"can we achieve the creative effect of being lively and engaging,but also in accordance with the classics and history,and in line with the right way,finally realizing the dual value of the aesthetic and edifying aspects of the novel.

关 键 词：《三国演义》 奇正相生 依经立义 

分 类 号：I207.413[文学—中国文学]