重构与整合:广东连南排瑶仪式展演的当代转化——以舞蹈文本为例  

Reconstruction and Integration:the Contemporary Transformation of the Performance of the Paiyao Ceremony in Liannan,Guangdong——Taking Dance Text as an Example

作　　者：梁李婷 Liang Li-ting

机构地区：[1]中山大学,广东广州510275

出　　处：《青海民族大学学报（社会科学版）》2023年第2期96-103,共8页Journal of Qinghai Minzu University：Social Sciences

基　　金：韶关市哲学社会科学规划项目“抗战时期粤北舞台文艺研究”(项目编号:J2020018);广东省社会科学基金“多民族文化共生视域下粤北瑶族盘王节传统舞蹈创新传承研究”(项目编号:CD22CYS16)的阶段性研究成果。

摘　　要：广东省连南瑶族自治县是我国排瑶的聚居地,新中国成立初期,以耍歌堂为代表的排瑶民俗文化受到国家号召逐步向民间文艺方向转化。本文运用表演理论视角,以新中国成立以来的排瑶舞蹈展演为考察对象,将这一发展阶段纳入国家化、现代化进程当中,认为在国家导向和地方引导下,当代文化展演将过去建立在家族、族群基础之上的社会关系与秩序,转换为建立在现代国家体系基础上的社会关系与秩序。“原生态”展演和“精品”展演两种表演形态在地方可以形成有机组合进行上下沟通,实现整合作用,当下的文化展演与过去的耍歌堂仪式展演发挥着类似的社会功能和作用,论文尝试将排瑶仪式展演的当代转化视作“礼仪”的重构。Guangdong Liannan Yao Autonomous County is the only place where the Pai Yao live in China.In the early days of the founding of the People’s Republic of China,the folk culture of the Pai Yao represented by Shua Ge Tang was gradually transformed into folk literature and art by the state.This paper,from the perspective of performance theory,takes the Paiyao dance performance since the founding of the People’s Republic of China as the object of study,and incorporates this stage of development into the process of nationalization and modernization.It is believed that under the guidance of the state and local authorities,the contemporary cultural performance will transform the social relations and order based on the family and ethnic groups in the past into the social relations and order based on the modern administrative system.The two forms of performance,“original ecology”and“boutique”,can form an organic combination to communicate with each other at the local level and achieve the integration of local society.The current cultural performance and the past ceremony of Shua Ge Tang play a similar social function.The paper regards the contemporary transformation of the Paiyao ceremony performance as“the reconstruction of etiquette”.

关 键 词：排瑶 舞蹈 重构 整合 表演理论 

分 类 号：C912.4[经济管理]