双性和谐视域下母性叙事的再解读——以20世纪90年代中国女性作家小说创作为例  

Reinterpretation of maternal narrative from the perspective of gender harmony:A case study of Chinese female writers novels in the 1990s

作　　者：林琳 陈佳冀 LIN Lin;CHEN Jiaji(School of Humanities,Jiangnan University,Wuxi 214122,China)

机构地区：[1]江南大学人文学院,江苏无锡214122

出　　处：《浙江理工大学学报（社会科学版）》2023年第4期440-447,共8页Journal of Zhejiang Sci-Tech University：Social Sciences

基　　金：国家社会科学基金一般项目(20BZW174)。

摘　　要：对女性主义文学批评的研究需要辩证思维入场,发现女性主体意识觉醒的同时,也发现女性话语专权的文本危机。在“双性和谐”视域下统观20世纪90年代中国女性作家小说创作中的母性叙事,发现母亲形象在新时期语境下呈现当代新质,实现了意志自律趋向、社会职能转换、生育观念迭代的三个变革。与此同时,随着当代女性主义文本成为话语专权的场域,母性叙事也走向母亲主体责任虚无与父亲客体话语沉默的双重放逐。通过对母性叙事的再解读与深掘,发现潜隐的缺憾,从而指向双性和谐的发展前景。For the study of feminist literary criticism,dialectical thinking should be adopted to discover the awakening of female subject consciousness and the text crisis of female discourse dictatorship.Based on the concept of gender harmony,this paper examines maternal narrative in the novels of Chinese female writers in the 1990s,and finds that the image of mothers presents new contemporary qualities in the context of the new era,and realizes three changes:the trend of self-discipline,the transformation of social functions and the iteration of fertility concepts.At the same time,as contemporary feminist texts become the field of discourse dictatorship,maternal narrative has also moved towards the double exile of the nihility of mothers'subject responsibility and the silence of fathers'object discourse.Through the reinterpretation and deep excavation of maternal narrative,the potential defects are found,which points to the development prospect of gender harmony.

关 键 词：女性主义 母性叙事 母亲形象 双性和谐 再解读 

分 类 号：I247[文学—中国文学]