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作 者:蔚然 WEI Ran(College of Humanities and Foreign Languages,China Jiliang University,Hangzhou 310018,China)
机构地区:[1]中国计量大学人文与外语学院,杭州310018
出 处:《浙江理工大学学报(社会科学版)》2023年第4期448-455,共8页Journal of Zhejiang Sci-Tech University:Social Sciences
基 金:国家社会科学基金一般项目(20BZW096);杭州市哲学社会科学规划项目(Z21JC070)。
摘 要:清代杭州作为江南佛教中心之一,存在着一批能诗善画的诗画僧。根据清代画史画传、诗歌别集总集、诗话、寺志等文献中相关资料的整理,统计出杭州诗画僧群体的数量、常住寺庙、交游以及诗歌绘画创作概况。清代杭州诗画僧以诗画为缘,与当时名士品鉴唱和,形成了士僧交游的风气,沟通了佛教、文学与绘画的关系,其诗画作品是佛教与文学艺术融合的产物。清代杭州诗画僧的诗歌创作题材广泛,交游唱和、写景咏物、题画均有涉及,艺术上常以佛理入诗,体现出诗画禅交融的审美特色。清代杭州诗画僧拓展了清代诗人集群的类别,他们的诗歌创作丰富了清诗的内容,同时也推进了杭州地域文学的发展。In the Qing Dynasty,Hangzhou,as one of the Buddhist centers in the south of the Yangtze River,had a group of monks who were good at poetry and painting.Through the collation of relevant materials regarding painting history and biography,poetry anthology,notes on poets and poetry,temple chronicles and other documents in the Qing Dynasty,the number of poetry and painting monks,permanent temples,friends making,and the general situation of poetry and painting creation in Hangzhou can be counted.In the Qing Dynasty,poetic and painting monks in Hangzhou took poetry and painting as their predestination,and made friends with famous scholars at that time.As a result,the atmosphere of friendship between scholars and monks was formed,and the relationship among Buddhism,literature and painting was communicated,which is the product of the integration of Buddhism and literature and art.In the Qing Dynasty,poetic and painting monks in Hangzhou created poems with a wide range of subjects,including friends making,singing,depiction of scenery,praise of objects,and painting inscriptions.In art,they often wrote poems with Buddhist theories,reflecting the aesthetic characteristics of poetry,paintings and Zen.The poetic and painting monks in Hangzhou expanded the category of poets in the Qing Dynasty.Their poetry creation enriched the content of Qing poetry,and promoted the development of regional literature in Hangzhou.
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