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作 者:王柔丹 WANG Roudan(School of Music and Dance,Zhanjiang University of Science and Technology,Zhanjiang Guangdong,524199,China)
机构地区:[1]湛江科技学院音乐舞蹈学院,广东湛江524199
出 处:《文化创新比较研究》2023年第17期1-6,共6页Comparative Study of Cultural Innovation
基 金:2022年广东省本科高校教学质量与教学改革工程建设项目“培养舞蹈编导专业学生创新创业能力的核心课程改革探索与实践”(项目编号:1099);2022年度校级本科质量与教学改革工程高等教育教学改革重点项目“培养舞蹈编导专业学生创新创业能力的核心课程改革探索与实践”(项目编号:ZLGC-202206)。
摘 要:该研究以中国古典舞蹈中女性特质为核心,分析舞剧《昭君出塞》和剧目《宫·飞燕》的主角王昭君、赵飞燕,对照研究两位人物的历史文献,并对历史上关于王昭君、赵飞燕诸多版本文学与艺术作品进行对比分析,结合现代舞台上两位女性的再造艺术体现,力图诠释中国古典舞在女性人物表演上独有的艺术特质。该文结合历史文献及相关论文和学者陈述,对这两位古典女性和现行舞蹈作品进行深入研究,剖析历史人物本身特质是如何在舞台上演绎并科学呈现的,从而探索更为丰富的古典舞蹈表演思路、形态及作品,为传承古典舞精粹的艺术价值、创新具有代表性的人物作品形态、提升古典舞蹈表演的艺术风格及得到艺术界认同提供科学的理论依据。Focusing on the study of the female characteristics in Chinese classical dance,this paper analyzes the main characters Wang Zhaojun and Zhao Feiyan in the dance drama Zhaojun Going out of the Frontier and the drama Palace·Flying Swallow,compares the historical documents of the two characters,and makes a comparative analysis of many versions of literary and artistic works about Wang Zhaojun and Zhao Feiyan in historical circulation,combining with the artistic representation of the reconstruction of the two women on the modern stage,trying to interpret the unique artistic characteristics of Chinese classical dance in female character performance.This article combines historical literature,relevant papers,and scholars'statements to conduct in-depth research on these two classical women and current dance works.It analyzes how the characteristics of historical figures themselves are portrayed and scientifically presented on stage,in order to explore more diverse classical dance performance ideas,forms,and works,and provide a scientific theoretical basis for inheriting the artistic value of classical dance essence,innovating representative character works,enhancing the artistic style of classical dance performances and gaining artistic recognition.
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