嘻哈音乐与潮牌:青年亚文化研究  

Hip-hop Music and Fashion Brands:Youth Subculture Studies

作　　者：李欣[1] LI Xin(International Business School,Yunnan University of Finance and Economics,Kunming Yunnan,650000,China)

机构地区：[1]云南财经大学国际工商学院,云南昆明650000

出　　处：《文化创新比较研究》2023年第19期188-193,共6页Comparative Study of Cultural Innovation

摘　　要：嘻哈音乐作为一种起源于美国黑人的文化形式,在传入中国之后,这种音乐形式与其紧密联系的潮牌形成了不一样的青年亚文化。作为当今流行文化中备受年轻人欢迎的两种亚文化,它们的诞生和发展体现了新时代年轻人的审美和生活态度。研究这两种亚文化,不仅能够深入了解当代年轻人的价值观和思维方式,还有助于探讨当代流行文化和大众文化的内涵和意义。该文采用基于扎根理论的深度访谈法、文本分析法,以及观察法,对12位嘻哈音乐人的文化实践进行系列分析,发现:这个亚文化样本在总体上是平等与包容、多元与对话、表达与自由的。从这个意义上来说,他们的文化实践超越了传统亚文化“抵抗—收编”的范式,为当下文化语境中的青年亚文化研究提供了更多可能性。Hip-hop music,as a cultural form that originated from black Americans,was introduced into China,and this musical form formed a different youth subculture with its closely related fashion brand.As two popular subcultures in today's popular culture,their birth and development reflect the aesthetic attitude and life attitude of young people in the new era.The study of these two subcultures can not only provide a deep understanding of the values and thinking modes of contemporary young people,but also help to explore the connotation and significance of contemporary popular culture and popular culture.After a series of analysis of the cultural practices of 12 hip-hop musicians using in-depth interview,text analysis and observation based on rooted theory,it was found that this subculture sample is generally equality and tolerance,diversity and dialogue,and expression and freedom.In this sense,their cultural practice transcends the traditional subculture"resistance-inclusion"paradigm and provides more possibilities for the study of youth subculture in the current cultural context.

关 键 词：嘻哈音乐 潮牌 青年亚文化 文化实践 真我 现代审美 

分 类 号：G112[文化科学]