梦幻叙事下的景象与寓言  

Scenes and Fables under Dreamy Narrative Writing

作　　者：彭彤 PENG Tong(Henan University,Kaifeng 475001,China)

机构地区：[1]河南大学,河南开封475001

出　　处：《商丘职业技术学院学报》2023年第4期11-14,共4页JOURNAL OF SHANGQIU POLYTECHNIC

基　　金：2020年度河南省哲学社会科学规划项目“现代性视阈下当代中国诗歌的古典特征研究(1978-2020)”(2020BWX007)。

摘　　要：作为“梦幻叙事写作”长期的探索者,河南作家张鲜明惯以文学记录的方式,回忆并转述自身的梦境经验。他的作品往往通过再现梦境中的怪诞景象与自我处境,揭示在当代生存中人普遍存在的焦虑状态及其寓言主旨。就写作技巧而言,他的“梦幻叙事”作品具有题材、体裁与风格意义上的探索性质。他描绘的梦境景象以隐喻的修辞形态推动着情节演进,维系着事物间的关联。从他独特的梦境修辞中,读者可以窥见梦境思维的独特逻辑,从而获得“无意识”对我们认知现实本质与自身存在的特殊启示。As a long-term explorer in dreamy narrative writing,Zhang Xianming,a writer from Henan province,used to recall and paraphrase his dream experience in the form of literary records.His works often reveal the universal anxiety of people in contemporary life and convey the allegorical theme by reappearing the grotesque scenes and self-situations in dreams.In terms of writing skills,his dreamy narrative works have the exploratory nature in the sense of theme,genre,and style.The dream scenes depicted by him move the plot forward and reconnect the relationship between things with metaphorical rhetoric.From its unique dreamy rhetoric,readers can get a glimpse of the unique logic of dream thinking,thus obtaining the special enlightenment of unconsciousness to our cognition of the nature of reality and our own existence.

关 键 词：张鲜明 梦幻叙事 景象 寓言 

分 类 号：I206.7[文学—中国文学]