伯克四大转义主辞格研究--“以诗为梦”中的凝缩和移置  

作　　者：姜忻 

机构地区：[1]复旦大学

出　　处：《复旦外国语言文学论丛》2023年第2期56-60,共5页Fudan Forum on Foreign Languages and Literature

摘　　要：美国修辞学家肯尼斯·伯克指出,读者可以通过梦的“凝缩”和“移置”作为“以诗为梦”的整体范畴进行分析。但是,他并未对此深入探讨。从戏剧化角度将四大转义主辞格--隐喻、转喻、提和反语--与“凝缩”和“移置”关联起来,可发现它们并非一对一的关系。本文认为,伯克将四大转义主辞格进行替代说明了它们都具有移置的性质。同时,它们也可通过凝缩带来意义。读者可以通过分析四大转义主辞格和其作用探索诗学语言中的动机,并可以围绕梦的凝缩和移置进行两方面的解读。这一过程所唤起的含义通过梦的移置和凝缩与现实产生偏差。Kenneth Burke pointed out that readers can analyze poetry as a dream on the basis of the process of“condensation”and“displacement.”However,Burke had not explicitly related them or given any detailed explanation for their connection.From a dramatistic approach,this article analyzes the association between the four master tropes(metaphor,metonymy,synecdoche,and irony)and condensation and displacement.It found that they are not in a one-to-one relationship,i.e.,four master tropes function through both displacement and condensation.The meanings evoked by these tropes deviate from reality through condensation and displacement so that readers can see two different approaches to interpretation when exploring the motives in poetics.

关 键 词：转义辞格 凝缩 移置 动机 

分 类 号：I106[文学—世界文学]