战争创伤视域下伍尔夫小说中的音景书写  

作　　者：朱海峰 

机构地区：[1]东北师范大学

出　　处：《复旦外国语言文学论丛》2023年第1期77-82,共6页Fudan Forum on Foreign Languages and Literature

基　　金：国家社会科学基金项目“布鲁姆斯伯里学派与中国现代旅英作家的抗战书写研究”(20BWW009)的阶段性成果。

摘　　要：伍尔夫在小说中突破以视觉感知为主的传统线性叙事技巧,将音景引发的听觉感知作为变换叙述视角、切换叙事空间和叙事时间的线索,利用音景书写展现战争对人物造成的心理创伤。本文认为,伍尔夫以音景引发的听觉感知在时空维度的流动为经纬,利用音景引发的叙述视角的自由转换为联接点,将用于表征人物心理创伤的文本碎片和自由流动的意识碎片相联接,编织了一幅纵横交错的网状叙事结构,展现了作家高超的创作技巧和对战争创伤的深刻思考。Woolf breaks the tradition of linear narrative techniques based on visual perception in her novels,adopts the auditory perception stimulated by soundscape as a clue to switch narrative perspective,narrative space and narrative time,and shows characters'psychological trauma caused by the wars through the narration of soundscape.This paper argues that Woolf takes the flow of auditory perception in the space-time dimension as the warp and weft,treats the free switch of narrative perspectives as points of conjunction,and weaves a criss-crossing web-like narrative structure by connecting the text fragments representing the characters'psychological trauma and the free-flowing consciousness fragments,which shows her superb creative skills and profound meditation on war trauma.

关 键 词：弗吉尼亚·伍尔夫 战争创伤 音景书写 意识流 

分 类 号：I561.074[文学—其他各国文学]