东亚角部一柱佛殿:从类型到原型(下)  

The Corner-One-Pillar Buddha Hall in East Asia:Form,Structure,and Dissemination(PartⅡ)

作　　者：唐聪 TANG Cong

机构地区：[1]重庆大学建筑城规学院 [2]重庆大学山地城镇建设与新技术教育部重点实验室

出　　处：《建筑师》2023年第4期15-25,共11页The Architect

基　　金：国家自然科学基金项目(52208007);中央高校基本科研业务费专项资金项目(2019CDXYJZ0025);日本学术振兴会科学研究费项目(17J10220)资助的研究成果。

摘　　要：本文梳理了唐至曹氏归义军时期敦煌壁画中角部一柱佛殿图的图像谱系与画法演变,指出其中描画的建筑与日本考古发掘确认的角部一柱金堂具有相同的建筑性质和柱位特征。继而结合图像与建筑遗存、仿木构石刻等关联材料弄清了角部一柱佛殿在地盘分隔、开间构成、构架形制上的典型特征,建立起对角部一柱佛殿的类型化认识,并在此基础上重新探讨了日本角部一柱金堂上部结构的可能性。最后总结了角部一柱佛殿在东亚北方地区的时空分布,指出它在7世纪前后的木构佛殿建筑形制和结构发展史上具有承上启下的地位和意义。This paper sorts out the depictions of the Corner-One-Pillar(COP)Buddha Hall in Dunhuang murals from the Tang period to the Cao Military Regime period,and points out that the halls depicted here show the same function and plan as the COP Golden Halls excavated in Japan.This paper defines the Corner-One-Pillar Buddha Hall by clarifying its distinguished features on plan,space,and structure,basing on a comparative analysis of the depictions in Dunhuang Murals,remains of the Golden Halls in Japan,and relative materials such as cave galleries,stone stupas,and stone houses.It points out that the Golden Hall of Natsumi-Haiji might have the same space and structure as the Corner-One-Pillar Buddha Halls depicted in the Trees of Paradise in Dunhuang Murals which was painted in the 7^(th) Century.Furthermore,this paper locates the sites of the Corner-One-Pillar Buddha Halls and the sites of its depictions under a context of the space-structure developing history around the 7^(th) Century in East Asia,revealing the significance of its unique space and structure.

关 键 词：角部一柱佛殿 敦煌壁画 唐代建筑图像 三开间殿 七世纪金堂 夏见废寺金堂 东亚建筑史 

分 类 号：TU-208[建筑科学]