以舞为媒:新疆产业移民地域身份认同的重构  

Dance as the Media:A Study on the Reconstruction of Industrial Migrants'Regional ldentity inXinjiangOilfield

作　　者：董熠 李子甜 Dong Yi;Li Zitian(School of Journalism and Communication,Xiamen University)

机构地区：[1]厦门大学新闻传播学院,福建厦门361005

出　　处：《新闻界》2023年第7期85-96,共12页Journalism and Mass Communication

摘　　要：文化差异可能会放大移民之间的地域认同问题。本研究针对吐哈油田早期移民的身份建构叙事,以移民社区里麦西来甫广场舞在中老年群体中的流行为例,探讨该现象背后关于个体地域身份重构的文化意涵。通过参与式观察和深度访谈发现,以业缘身份替代地域身份的策略在中老年移民进入离退休阶段后逐渐淡出,跳麦舞成为油田移民在又一次应对自我身份“失落”、协调认同冲突时的策略与文化实践。以跳麦舞为中介,移民重构出新的地域身份认同,体现了移民群体在身份协商过程中的主体性。本研究同时从舞蹈生发的文化情境脉络与具身性的角度讨论麦舞为何成为移民重构地域身份认同的中介。Migrants often face a shift in their regional identity after moving in,and cultural differences can amplify the problem of migrant regional identity.This study focuses on the identity narrative of the early migrants in Turpan-Hami Oilfield(also known as industrial migrants):"I have to learn Xinjiang dance because I am from Xinjiang",to explore the cultural connotations behind the phenomenon of the popularization of the Meshrep dance in industrial migrants communities.Through participant observation and in-depth interviews,it was found that in the life course of oilfield migrants,a strategy of constructing an industry identity as an alternative to a regional identity had developed.However,when the dominance of the industry identity in social comparison dissolves,identity is once again regionalised and the place of migration becomes the new object of identification.The Meshrep dance is a socio-cultural practice under this expectation.The continuous process of"deconstructionreconstruction"of migrants'regional identity in the oil fields of Xinjiang shows a tendency towards embodiment,with the body and its'activities acting as a mediator of the "people-land"connection.

关 键 词：新疆产业移民 地域身份认同 社会认同理论 麦西来甫 具身性 

分 类 号：G206[文化科学—传播学]