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作 者:胡媚媚 Hu Meimei(School of Chinese Studies and Exchange,Shanghai International Studies University,Shanghai 200083,China)
机构地区:[1]上海外国语大学国际文化交流学院,上海200083
出 处:《复旦学报(社会科学版)》2023年第4期87-96,共10页Fudan Journal(Social Sciences)
基 金:上海市社科规划课题“清代社诗总集序跋整理与研究”(项目批准号:2022ZWY003)的阶段性成果。
摘 要:擅场诗是集会唱和时技压全场的作品,在批评话语里也能突破同时共场的束缚。唐代擅场诗不乏奉和应制之作,它们参与了近体诗的定型与发展过程。后世诗论认为唐代擅场诗提高了创作的技法,却损害了情感的表达。宋元、元明、明清等易代之际,涌现出了许多具有文学价值的擅场诗,同题共赋,评定甲乙,从而奠定了王朝初年的诗坛格局。元末,饶介组织的诗会推动了以高启为中心的诗人群体的形成,作者的性情通过应酬性的擅场诗被有意隐匿或曲折表现。明末,黎遂球参加影园诗会的擅场之作不断得到其他诗人的响应,逐渐成为清代咏物诗的典范。由场内走向场外,擅场诗接受再批评,相应的评价将有可能随着时空的转移而发生改变。清初,王士禛、朱彝尊等名家通过擅场诗的颠覆与标举,积极建构新一代的诗学审美和文学风尚。The Shanchang poetry is a work that surpasses the whole audience,and it can also break through the shackles of the same scene in critical discourse.The Shanchang poetry in Tang Dynasty contain many works that were imperially assigned,and they participated in the shaping and development of the metrical poetry.The later poetics believe that the Shanchang poetry of Tang Dynasty improved the technique of creation,but damaged the expression of emotion.During historical transitions,such as Song-Yuan,Yuan-Ming and Ming-Qing,many Shanchang poems with literary value emerged.Writing on the same subject and competing with each other,these poems laid the foundation for the poetic world in the early years of the dynasty.At the end of the Yuan Dynasty,the poetry association organized by Rao Jie promoted the formation of a group of poets with Gao Qi as the center,and the author's temperament was intentionally hidden or tortuously expressed through his Shanchang poetry.At the end of the Ming Dynasty,Li Suiqiu's Shanchang poems created in the Ying Garden were constantly echoed and imitated by other poets,and gradually became a model of poetry about objects in the Qing Dynasty.From the scene to the off-site,Shanchang Poetry will be criticized again,and the corresponding evaluation will be likely to change with the shift of time and space.In the early Qing Dynasty,famous poets such as Wang Shizhen and Zhu Yizun actively constructed a new generation of poetic aesthetics and literary trend through the subversion and promotion of Shanchang poetry.
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