郑、孙、殷、方的吴中酬唱及其文学复古意义  

Zheng,Sun,Yin,and Fang’s Singing of Wu Zhong and Its Literary Retro significance

作　　者：徐沛沛 周潇 XU Peipei;ZHOU Xiao(School of Literature and Journalism,Qingdao University,Qingdao,Shandong 266071)

机构地区：[1]青岛大学文学与新闻传播学院,山东青岛266071

出　　处：《绍兴文理学院学报》2023年第7期60-66,共7页Journal of Shaoxing University

基　　金：国家社科基金项目“山左作家与明代文学思潮的嬗变研究”(21BZW198)。

摘　　要：明代第一次复古运动在刘瑾乱政后进入新的发展阶段。正德六年至八年,复古派羽翼郑善夫、孙一元、殷云霄、方豪在吴中地区交游酬唱。吴中酬唱既有对复古理论的实践,也反映出此一阶段复古运动的新变化。在文学复古的观照下,四人结合自身的生命体验,在创作中实践复古派的学古理论;又将此一时期繁盛的道家思想融入诗歌,为复古诗学增加了新的文学元素,同时也为观察复古派文人前后思想的割裂提供了一个窗口。The first Retro Movement in the Ming dynasty reached a new stage of development after Liu Jin’s chaotic government.From the sixth year to the eighth year of Emperor Zhengde,the wings of the Retro School Zheng Shanfu,Sun Yiyuan,Yin Yunxiao and Fang Hao communicated and responded with poems in the Wuzhong area.This not only practiced the Retro Theory,but also reflected the new changes of the Retro Movement at this stage.Reflected by the Retro Literature and combined with their own life experiences,the four poets practised the theory of learning from antiquity of the Retro School in the creation.They also added a new literary factor to the Retro Poetics by integrating the flourishing Taoist thoughts into poetry.All this provides an excellent window for observing the great split of the ideas of the Retro Literator.

关 键 词：郑善夫 孙一元 殷云霄 方豪 复古运动 

分 类 号：I206.2[文学—中国文学]