《文心雕龙·明诗》诗体观考论  

A Study on the Poetic Style of“Wen Xin Diao Long•Ming Shi”

作　　者：李敏[1] 舒耘华[1] Li Min;Shu Yunhua(Jiamusi University,Jiamusi,154007)

机构地区：[1]佳木斯大学,佳木斯154007

出　　处：《语言与文化研究》2023年第3期164-168,共5页Language and Culture Research

摘　　要：《文心雕龙·明诗》一篇从美学观念、辨体思想和实践理念三角度来论析诗体。美学上,刘勰本着传统儒学的诗论理念,主张在“诗言志”规范下进行“诗吟志”的美学观,这在儒学衰微、绮靡文风盛行的六朝是颇具批判性的。辨体方面,《明诗》篇指出,“诗吟志”应以体裁为先。篇内通过对诗体的细分,体现了六朝时文学的自觉和辨体意识的增强;对不同诗体风格的论辨,则关注到了不同诗体的语体差异;以四言为正体、五言为变体的诗体品位观,又诠释着《文心雕龙》全书的宗经观念。实践中,“诗吟志”应以诗人个性为重亦是《明诗》篇的重要论点。然《明诗》篇对诗人个性于诗歌风格决定作用的强调存在局限性,其更加注重于诗人个性中先天层面的因素,而相对忽视于诗人个性中的后天诸因素。“Wen Xin Diao Long·Ming Shi”is an analysis of poetic style from the perspective of aesthetic concepts,stylistic thinking and practical concepts.Aesthetically,Liu Xie adhered to the traditional Confucian poetic philosophy and advocated the aesthetic view of“poetry expressing aspirations”under the framework of“poetry expressing aspirations”.This was quite critical in the Six Dynasties when Confucianism was declining and the literary style was flourishing.In terms of stylistic discrimination,the Ming Poetry chapter pointed out that“poetry expressing aspirations”should prioritize genre.The subdivision of the poetic style in the article reflects the enhancement of literary consciousness and stylistic awareness during the Six Dynasties period.The debate on different poetic styles focuses on the language differences of different poetic styles.The concept of poetic taste with four characters as the main body and five characters as variants also interprets the concept of the Confucian classics in the entire book“Wen Xin Diao Long”.In practice,the emphasis on the poet’s personality is also an important argument in the Ming Poetry.However,the emphasis on the decisive role of a poet’s personality in poetic style in the“Ming Poetry”has limitations.It focuses more on the innate factors in the poet’s personality,while relatively neglecting the acquired factors in the poet’s personality.

关 键 词：《文心雕龙·明诗》 “诗吟志” 辨体 

分 类 号：I20[文学—中国文学]