生命与生态之殇——论安妮·塞克斯顿的脏污诗学  

The Demise of Life and Ecology——On Anne Sexton’s Dirty Poetics

作　　者：却俊 Que Jun(Changzhou University,Changzhou,213159)

机构地区：[1]常州大学,江苏213159

出　　处：《语言与文化研究》2023年第3期192-195,共4页Language and Culture Research

基　　金：江苏省教育厅高校哲学社会科学研究项目《安妮·塞克斯顿的生态伦理诗学研究》(2019SJA0100);2023年常州大学科研启动经费项目“美国幻觉型诗人的诗学策略与文化政治研究”的阶段性成果。

摘　　要：活跃于上世纪五六十年代的美国自白派诗人安妮·塞克斯顿大胆批判当时媒体广泛宣传的“洁净”理想,其作品彰显出对人类物类及精神层面“脏污”特质的情有独钟。“脏污”主题贯穿了塞克斯顿的诗歌创作,涉及身体、生态、政治、人性等不同维度的脏污书写,这一类型的书写象征着颠覆性的、以“审丑”反思为基轴的后现代脏污诗学范式的勃兴。塞克斯顿将作品置于脏污生成的历史背景与诗学理念中,力求揭示后现代工业语境中以美国为代表的西方文明内部的社会矛盾、政治丑恶和生态危机。The American confessional poet Anne Sexton active in the 1950s and 1960s boldly criticizes the ideal of“cleanliness”widely propagated by the media at that time,and her works reveal a special preference for the“dirty”nature of human body,objects,and man’s spirit.The motif of“dirtiness”runs through Sexton’s poetic oeuvre,involving dirty writing in different dimensions such as body,ecology,politics and human nature.This type of writing epitomizes the subversive boom of the post-modern“dirty”paradigm based on the reflection of“ugliness”.Sexton places her works in the historical background and poetics where“dirtiness”is generated,and attempts to unveil the social contradictions,political ugliness and ecological crisis of the Western civilization represented by the United States in the post-modern industrial context.

关 键 词：安妮·塞克斯顿 脏污诗学 后现代工业 生态危机 

分 类 号：I20[文学—中国文学]