无心巧合,竟似古人寻我:我“从文物里面舞出来”——田湉访谈  

Coincidentally,Like Ancient People Searching for Me:I“Dance out of Cultural Relics”: Interview with Tian Tian

作　　者：田湉 慕羽[2] TIAN Tian;MU Yu(School of Design,Hunan University,Changsha 410006;Beijing Dance Academy,Beijing 100081,China)

机构地区：[1]湖南大学,长沙410006 [2]北京舞蹈学院,北京100081

出　　处：《北京舞蹈学院学报》2023年第3期7-14,共8页Journal of Beijing Dance Academy

摘　　要：2023年4月,在第十三届中国舞蹈“荷花奖”古典舞终评中,田湉担任编导的《散乐图》《富春》分别获得第二名和第五名。慕羽作为舞蹈评论“辽沈论坛”暨青年舞评人才研习班的导师之一,对田湉进行了访谈,内容涉及荷花奖舞蹈比赛“中国古典舞”舞种属性的讨论,尤其是美学的、历史的文化定位;作为编导田湉如何创作基于历史文化资源的当代作品,她的兴趣切入点和动作构形的挑战等;这两部作品与田湉“俑系列”的探索路径,以及作为舞蹈编导和大型活动导演,田湉舞蹈创作观和身份意识的生成过程。In April 2023,the dance works Sanyue Tu and Fu Chun choreographed and directed by Tian Tian,won the second and fifth places respectively in the 13th Chinese dance competition of“Lotus Award”,which is the highest prize in the Chinese dance field.The interviewer Mu Yu is one of the mentors of the“Liaoshen Forum”and the Young Dance Critics Training Class,which was held at the Dance School of Shenyang Conservatory of Music when the competition was held at the same time.She interviewed Tian Tian and they discussed on topics such as the aesthetic and historical cultural orientation of the“Chinese classical(ɡǔdiǎn)dance”in the dance competition of“Lotus Award”;How to explore and create contemporary dance works based on historical and cultural resources as a choreographer?What are the interests and challenges of Tian Tian during the Formative Power(kama)process?The topics also cover the exploration path of these two works and her series works of“Figurines”,the generation process of Tian Tian’s dance creation concept and identity consciousness as a choreographer,a director of large-scale events,as well as a young slash artist.

关 键 词：中国古典舞 中国当代舞 文物 动作构形 汉唐舞蹈剧场 

分 类 号：J722.4[艺术—舞蹈]