母题、情感与命运:全人类共同价值视域下中国民族题材电影研究  

Motif,emotion and fate:a study of Chinese ethnic themed films from perspective of Common Values of Humanity

作　　者：赵丽芳[1] 张宝誉 ZHAO Lifang;ZHANG Baoyu(School of Journalism and Communication,Minzu University of China,Beijing 100081,China;School of Chinese Ethnic Minority Languages and Literatures,Minzu University of China,Beijing 100081,China)

机构地区：[1]中央民族大学新闻与传播学院,北京100081 [2]中央民族大学中国少数民族语言文学学院,北京100081

出　　处：《沈阳工业大学学报（社会科学版）》2023年第4期310-315,共6页Journal of Shenyang University of Technology(Social Sciences)

基　　金：国家社会科学基金重大招标项目(21ZDA079)。

摘　　要：在全球化和现代化背景下,中国民族题材电影呈现出相似的自然生态“灾难”、记忆“家园”迷失和文化身份“寻找”母题,是特定时期大众所思所愿的银幕投射;传播了基于人性和生活角度的共有情感,并通过正向情感体验达成更为紧密的联结;蕴藏着全人类共同的“出走回归”式命运,指明异于西方“普世价值”的时代方向。因此,中国民族题材电影与全人类共同价值展开双向互动:前者在实践过程中为后者赋能,成为弘扬价值观念的有力载体;后者则在价值层面指引前者,促成电影创作和传播实践的升维。In the context of globalization and modernization,the Chinese ethnic themed films exhibit similar motifs of natural ecological“disasters”,memory“home”loss,and“pursuing”of cultural identities,which are the screen projection of public’s thoughts and wishes during a specific period.The shared emotions are spread based on the perspectives of human nature and life,and closer connections are achieved through positive emotional experiences.The common“leave-return”fate of all humanity is included,and the direction of the times is pointed out which is different from the Western“universal value”.Therefore,the Chinese ethnic themed films have a two-way interaction with Common Values of Humanity.The former empowers the latter in practice and becomes a powerful carrier for promoting values;the latter guides the former in terms of value and promotes the upgrading of film creation and communication practice.

关 键 词：民族题材电影 母题 情感 情节 全人类共同价值 

分 类 号：J905[艺术—电影电视艺术]