放逐、死亡与回归:纳博科夫小说的“晚期风格”  

Exile,Death and Reversion:the“Late Style”of Vladimir Nabokov’s Novels

作　　者：林燕红 林元富[2] LIN Yan-hong;LIN Yuan-fu

机构地区：[1]闽江学院外国语学院,福建福州350121 [2]福建师范大学外国语学院

出　　处：《华侨大学学报（哲学社会科学版）》2023年第4期144-151,共8页Journal of Huaqiao University(Philosophy & Social Sciences)

基　　金：福建省社会科学基金项目“文化间性视野中查尔斯·赖特的中华文化认同与利用研究”(FJ2022BF009)。

摘　　要：弗拉基米尔·纳博科夫的晚期作品在他的整体创作生涯中呈现出明显的背离趋势。这种创作风格上的转变,基于爱德华·萨义德对“晚期风格”概念的阐述,是晚期的纳博科夫有意不走和弦、脱离时代艺术审美规范的必然结果。其晚期创作风格的变化主要体现在三个方面:一是以激进的游戏创作姿态和对性的反常关注背离成熟中期的美学范式,呈现出一种“晚期风格”的自我放逐特征;二是沉浸在死亡主题的书写中,透露出晚期的纳博科夫不愿向死亡妥协、试图在文本中实现对死亡的超越的生命态度;三是以回首创作生涯的方式向过去的复归,并借由庞大的互文体系在虚构的文本世界中获得重新开端的能力。In the late works of Vladimir Nabokov,a clear deviation from his writing style throughout his career can be observed.Said’s concept of“late style”explains this deviation as a deliberate act of the artist’s refusal to conform to the aesthetic norms of his time and to follow traditional literary conventions.The late style in Nabokov’s works can be identified in three distinct aspects:firstly,a departure from the aesthetic form of his earlier works,characterized by a radical playfulness and explicit sexual content,which served as a form of self-imposed exile to deny his own lateness in his later works;secondly,an intense focus on the theme of death,revealing Nabokov’s unwillingness to accept death as an inevitability and attempting to transcend the boundaries of mortality in his fictional world;and thirdly,a retrospective examination of his writing career allowed him to start anew in a fictional world through a complex textual system.

关 键 词：纳博科夫 《劳拉的原型》 “晚期风格” 萨义德 

分 类 号：I106.4[文学—世界文学]