废墟中长成的叛逆农妇——重审春桃形象  

A Rebellious Peasant Woman Growing up in the Ruins——Reviewing the Image of Chun Tao

作　　者：刘念 江飞[1] LIU Nian;JIANG Fei(Anqing Normal University,Anqing 246011,China)

机构地区：[1]安庆师范大学,安徽安庆246011

出　　处：《哈尔滨学院学报》2023年第8期89-93,共5页Journal of Harbin University

摘　　要：许地山的创作是现代文学史上的一股灵秀之风,作品中对女性问题的思考多通过宗教信仰达到自身与现实的平衡,女性形象往往以消极的态度面对人生苦难。许地山后期的文艺创作受到社会改革和个人情感的影响,弱化了宗教传奇色彩,增添了现实主义气息。《春桃》就是许地山对女性解放问题的新思考,也透露出他在昂扬与怀疑间徘徊的矛盾心态。Xu Dishan’s creation is a graceful trend in the history of modern literature.The reflection on women’s issues in his works often achieves a balance between himself and reality through religious beliefs,and female images often face life’s hardships with a negative attitude.Xu Dishan’s later literary and artistic creations were influenced by social reforms and personal emotions,weakening the color of religious legends and adding a touch of realism.“Chun Tao”is Xu Dishan’s new reflection on the issue of women’s liberation,and it also reveals his contradictory mentality of wandering between pride and doubt.

关 键 词：许地山 春桃 叛逆者 女性主义 

分 类 号：I207.42[文学—中国文学]