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作 者:焦一然 周末 JIAO Yiran;ZHOU Mo(Keimyung University,Daegu 42601,Korea;Dankook University,Yongin 16890,Korea)
机构地区:[1]启明大学,韩国大邱42601 [2]檀国大学,韩国龙仁16890
出 处:《西部皮革》2023年第16期57-59,共3页West Leather
摘 要:汴绣又称宋绣,起源于北宋时期,现与四大名绣齐名。于2006年被确定为河南省第一批“非物质文化遗产”以来,尤其受到学术界的关注。文章将通过介绍汴绣从古至今的产生、繁荣、发展的艰难历程,论述其工艺上的特色,汴绣艺术在继承传统针法的基础上创新出新的特色针法、题材的多样性等方面,探讨汴绣艺术与其他绣种的区别,以及汴绣作为一座城市的历史见证所体现出的地域特征及其背后深厚的艺术文化及传统文化的传承性,清晰地描绘出汴绣艺术的工艺特色和文化内涵,向大家呈现日趋成熟的汴绣艺术。Bian embroidery,also known as Song embroidery,originated in the Northern Song Dynasty and is now on par with the four famous embroideries.Since it was identified as the first batch of"Intangible cultural heritage"in Henan Province in 2006,it has received special attention from the academic community.This article will introduce the difficult process of the emergence,prosperity,and development of Bian Embroidery from ancient times to the present,discuss its unique craftsmanship,innovate new unique needlework based on inheriting traditional needlework,and explore the differences between Bian Embroidery art and other types of embroidery.Elaborate on the regional characteristics reflected by Bian embroidery as a historical witness of a city,as well as the profound artistic and cultural heritage behind it.Clearly depict the craft characteristics and cultural connotations of Bian embroidery art,presenting the increasingly mature Bian embroidery art to everyone.
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