现代建筑对历史环境的刺激与重构——以乌尔姆Stadthaus为例  

The Stimulation and Reconstruction of Historical Environment by Modern Architecture:Taking Ulm City House as an Example

作　　者：杨怡楠 YANG Yinan

机构地区：[1]深圳大学 [2]深圳大学本原设计研究中心

出　　处：《住区》2023年第4期153-160,共8页Design Community

基　　金：国家自然科学基金青年基金项目(52008252);深圳市高等院校稳定支持计划稳定支持面上项目(20200812115436001);深圳市医养建筑重点实验室(筹建启动)(ZDSYS20210623101534001)。

摘　　要：自1975年“欧洲建筑遗产年”以来,欧洲历史城市更新中出现了“城市融于建筑”的新做法。德国城市不再采用修旧如旧或与历史环境强烈冲突的做法,而是尝试以适度的新设计来刺激历史环境,在场地的肌理延续上做出新回应。本文以位于德国乌尔姆老城中心的Stadthaus为例,解析建筑师以现代主义设计理念对敏斯特大教堂广场进行了边界重塑,同时在城市设计理念上实现了从多方向视线的教堂致敬。该项目是建筑师在追求现代建筑本体纯粹性、建立历史广场的新秩序之间的平衡的结果,是欧洲1980年代以新建筑激活历史城市空间的典型代表。Since the European Architectural Heritage Year(1975),the practice of"Urban Integration into Architecture"has emerged in the revival of European historic cities.In German historical town renewal,it is no longer adopted the strong contrast and conflict with historical surroundings.New architectural design drives the remodeling of historical environments,taking both the history and the future of the site quality improvement into account.Taking Stadthaus in the old town center of Ulm,Germany as an example,this paper analyzes how the architect adopted the modernist design techniques to reshape the boundary of Minster Cathedral Square,which realizes the reconstruction of square space and attributes the sight line to the church from the scale of urban design.The project achieves the balance between the pursuit of the noumenal purity of modern architectureandthe establishment of aneworder of urban space,which is a typical example of the new architecture weaving the old texture and stimulating the new order.

关 键 词：“城市融于建筑” 边界重塑 新秩序 致敬乌尔姆大教堂 城市设计 

分 类 号：TU-021[建筑科学—建筑理论]