契丹或女真? 佛利尔美术馆藏传张戡《猎骑图》观画记  

A Review on Freer Gallery of Art Collected Painting of‘Nomadic Hunters on Horseback’Attributed to Zhang Kan

作　　者： Peng Huiping

机构地区：[1]杭州师范大学历史系

出　　处：《故宫博物院院刊》2023年第7期113-126,157,共15页Palace Museum Journal

摘　　要：本文为作者2008年的一篇观画记。藏于美国佛利尔美术馆(Freer Gallery of Art)的传张戡《猎骑图》轴鲜少被学界提及,据本文研究,《猎骑图》与南宋宫廷画师陈居中的六件画作在风格上非常相似;从画中髡发样式、袍服靴帽、障泥纹饰和马镳衔环,可以判断该画的描绘对象为女真族。This thesis analyzes the anonymous painting of‘Nomadic Hunters on Horseback’(猎骑图)in scroll attributed to Zhang Kan in the collection of the Freer Gallery of Art,which is ignored by scholarship due to the absence of earlier seals and documentation.It is studied that the painting of‘Nomadic Hunters on Horseback’is in style much close to the six works by Chen Juzhong,court artist of the Southern-Song Dynasty.Second,the shaved-hair style,the dresses of robes and boots and hats,the Zhangni patterns and the ring-snaffes for the harness together suggest that the figures in the painting are from Jurchen Jin Tribes by origin.

关 键 词：张戡《猎骑图》 女真族 髡发发式 陈居中 南宋番马画 

分 类 号：K879.4[历史地理—考古学及博物馆学] J205[历史地理—历史学]