“兴”的重新发现与南宋中期“杂兴体”的郁起  

The Rediscovery of Xing and the Rise of Za-Xing Group Poems in the Mid Southern Song Dynasty

作　　者：程维[1] CHENG Wei(College of Liberal Arts,Chinese Poetry Research Center,Anhui normal University,Wuhu,Anhui 241002)

机构地区：[1]安徽师范大学文学院、安徽师范大学中国诗学研究中心,安徽芜湖241002

出　　处：《中国文学研究》2023年第3期130-136,共7页Research of Chinese Literature

基　　金：国家社会科学基金后期资助项目“赋学范畴研究”(21FZWB101);安徽省社会科学规划项目“先唐诗歌的议论传统”(AHSKHQ2020D09)。

摘　　要：杂兴体组诗起源于唐朝的杜甫和储光羲,在南宋中兴时期,出现了一次不同寻常的爆发。这不但与南宋诗学、经学的新空气有关,更直接的原因是对于江西诗坛为代表的诗法系统的抵拒。陆游、杨万里、范成大等人的杂兴体组诗,在整体特色上也表现出与江西诗法相反的倾向。南宋中兴诗坛杂兴体的盛起在宋诗史上有着不可忽视的重要意义,它是一股返动的、“破执”的力量,它对宋代诗学建立起来的各种法则、界限都从本质上进行了抗议,是宋诗史上的一场规则厘革。The Za-Xing Group Poems originated from Du Fu and Chu Guangxi in the Tang Dynasty.The Mid Southern Song Dynasty witnessed its unusual development.This was not only related to the new air of poetics and Confucian classics in the Southern Song Dynasty,but also directly against the poetic system represented by the Jiangxi poetry circle.Thus,Za-Xing Group Poems was a rule-breaking force of reversion,which protested against the various poetic laws and boundaries established in the Song Dynasty,and it was a ruler reform in the history of Song poetry.

关 键 词：中兴时期 杂兴体 渊源 意义 

分 类 号：I206.2[文学—中国文学]