《色,戒》的改写与张爱玲自我形象的重塑  

Rewriting Lust,Caution and Reshaping Eileen Chang's“Self Image”

作　　者：万永凤[1] 李永东[1] WAN Yongfeng;LI Yongdong(School of Chinese Language and Literature,Southwest University,Chongqing 400715)

机构地区：[1]西南大学文学院,重庆400715

出　　处：《中国文学研究》2023年第3期161-166,共6页Research of Chinese Literature

基　　金：国家社会科学基金项目“半殖民与解殖民的中国现代文学研究”(20BZW138)。

摘　　要：张爱玲的短篇小说《色,戒》不仅征引本事、作品等“他人的前文本”,而且具有鲜明的“自我指涉”特征,承载了张爱玲的个人情感体验与生命隐痛。不过,《色,戒》中飘忽、朦胧的张爱玲气息难以捕捉,而重返小说创作及改写的历史语境,能帮助我们接近她隐秘的创作心理。梳理《色,戒》成文过程及改写时间,《小团圆》与《色,戒》的互文性对话关系浮出水面。自传小说《小团圆》对张爱玲作为“胡兰成妻”身份的回忆、复述,是张爱玲对自我生命隐痛的正视,由此产生的复杂情感构成了其改写《色,戒》的心理场域。因此,《色,戒》的改写不仅体现了张爱玲对作品的经典化诉求,更暗含了其摆脱被玷污的身份与重构自我形象的潜在心理动因。Eileen Chang's short story Lust,Caution not only cites the“pretexts of others”such as her skills and works,but also has a distinctive“self-referential”feature,bearing Eileen Chang's personal emotional experience and life pains.However,Eileen Chang's erratic and hazy breath in Lust,Caution is difficult to capture.Perhaps returning to the historical context of novel creation and rewriting can help us get closer to her hidden creative psychology.After sorting out the writing process and rewriting time of Lust,Caution,the intertextual dialogue relationship between Little Reunion and Lust,Caution surfaced.The autobiographical novel Little Reunion recalls and retells Eileen Chang's identity as“Hu Lancheng's wife”,which is her facing up to the hidden pain of her own life,and the complex emotions generated from it constitute the psychological field of her rewriting Lust,Caution.Therefore,the rewriting of Lust,Caution not only reflects Eileen Chang's canonization appeal to the work,but also implies her potential psychological motivation to get rid of her tainted identity and reconstruct her self-image.

关 键 词：《色 戒》 张爱玲 《小团圆》 改写 自我形象 

分 类 号：I246[文学—中国文学]