语图视阈下的元代《辋川图》题咏  

Odes to Wangchuan Villa in Yuan Dynasty from the Perspective of Language and Image

作　　者：高林广[1] GAO Linguang(School of Literature,Inner Mongolia Normal University,Inner Mongolia,China 010022)

机构地区：[1]内蒙古师范大学文学院,内蒙古呼和浩特010022

出　　处：《内蒙古师范大学学报（哲学社会科学版）》2023年第3期5-17,共13页Journal of Inner Mongolia Normal University：Philosophy and Social Sciences Edition

基　　金：国家社科基金项目“元代文人画论文献整理与研究”(22BZW083);内蒙古自治区社科基金项目“中华文化认同视阈下的元人诗画融通研究”(2022WY13)研究成果之一。

摘　　要：元代文献中留存有大量的有关王维《辋川图》的专论、序跋、题记和题画诗等,广泛讨论了该图的艺术价值及其所蕴含的文人品节、“高人”风范、佛禅思想、雅趣清致、语图关系等。元人称述《辋川图》几为穷高树表之作,对其笔法技巧、布局结构乃至气度神韵的总结和讨论在深度和广度上都远甚于唐宋,可证该图画史地位和经典意义的真正确立不在唐宋,而在元代;从诗画一体、语图互融角度评述《辋川图》,亦始盛于元代。而基于德艺关系的《辋川图》论争、对《辋川图》情趣意绪的多重解读等,又与风行于有元一代的复古思潮、文人画观念的流行、易代之际对文人品节的高度敏感和特别关注等因素有关,具有鲜明的时代印迹和深刻的人文意义。There are a large number of monographs,postscripts,inscriptions and odes about Wang Wei's Wangchuan Villa from the Yuan Dynasty discussing the artistic value of the picture,the literati's characteristics,“noble”style,Zen Buddhist thought elegant and pure taste,and language-image relationship.Studies in Yuan Dynasty on Wangchuan Villa including the creation technique,layout and charm are far more profound than that of Tang and Song dynasties,which can prove that the historical status,classic significance,poetry-painting and language-image research of the picture was established in the Yuan Dynasty.The debates based on the relationship between virtue and art,and the multiple interpretations of the artistic conception of Wangchuan Villa are related to the retro trend of thought popular in the Yuan generation,the popularity of literati's painting view,and the special attention to the literati's virtues at the changing era,which has distinct historical and humanistic significance.

关 键 词：王维 《辋川图》 元代 语图 题咏 

分 类 号：I1206.2[文学—世界文学]