莫高窟唐代藻井莲花纹样艺术与当代时尚印花设计  

Mogao Grottoes caisson lotus pattern art and contemporary fashion print design

作　　者：黄晶 黄永利 HUANG JING;HUANG YONGLI(Changshu Institute of Technology,School of Textile Garment&Design,Suzhou Jiangsu 215500,China;City University of Macao,Faculty of Innovation and Design,Macao 999078,China)

机构地区：[1]常熟理工学院纺织服装与设计学院,江苏苏州215500 [2]澳门城市大学创新设计学院,中国澳门999078

出　　处：《江苏丝绸》2023年第3期21-26,共6页Jiangsu Silk

基　　金：“纺织之光”中国纺织工业联合会高等教育教学改革项目《师生共创品牌互动性与校地产业对接有效性研究》(2021BKJGLX201);常熟理工学院高等教育研究项目《地方应用型大学设计学科介入美育教育体系研究》(GJ202103)。

摘　　要：针对唐代敦煌莫高窟藻井莲花纹样的时期发展、组织结构、色彩运用等方面进行论述,结合历史文献、图书资源、实物壁画等资料进行梳理,系统分析唐代敦煌莫高窟藻井莲花纹样的艺术特征。研究认为,唐代敦煌莫高窟藻井莲花纹样在发展过程当中早、中、晚三个时期风格特点均有所不同,莲花纹样形态结构呈现多样化,色彩冷暖同色系技法层次丰富,体现出了敦煌工匠超高的艺术审美。此外,对莲花纹样进行现代设计,推进现代设计领域中对莲花纹样的应用,为传统与现代结合提供现实性意义。This paper discusses the period development,organization structure and color application of the lotus patterns in the caisson of Dunhuang Grottoes in the Tang Dynasty,combing with historical documents,library resources and material murals,systematically analyzes the artistic characteristics of the lotus patterns in the caisson of Dunhuang Grottoes in the Tang Dynasty.The research shows that the lotus patterns in caisson of Dunhuang Grottoes in Tang Dynasty have different styles and characteristics in the early,middle and late periods during the development process.The lotus patterns show diversified morphological structure,and the same color with warm and cold colors are rich in technique levels,which reflects Dunhuang artisans'superior aesthetic art.In addition,the modern design of the lotus pattern promotes the application of the lotus pattern in the field of modern design and provides realistic significance for the combination of tradition and modernity.

关 键 词：唐代 敦煌 莲花纹样 数码印花 

分 类 号：J51[艺术—艺术设计]