论唐圭璋的词体声律研究  

Tang Guizhang’s Study About Sound and Rhythm of Ci Poetry

作　　者：张文昌[1] ZHANG Wen-chang(School of literature,Nanjing Normal University,Nanjing 210097,China)

机构地区：[1]南京师范大学文学院,江苏南京210097

出　　处：《宁波大学学报（人文科学版）》2023年第5期38-47,共10页Journal of Ningbo University：Liberal Arts Edition

基　　金：国家社会科学基金重大项目“明清词谱研究与《词律》《钦定词谱》修订”(18ZDA253)。

摘　　要：作为20世纪“词学三大家”之一,唐圭璋的词学文献学成就备受推崇,而其对词体声律之学的探索则往往不为人知。唐圭璋早年交往的师友中多有精通词律之学者,受其影响,唐圭璋也在修订词谱、审音析韵、讨论诗词曲之界等方面阐微发覆,留下了不少富有创造性的成果。在以《全宋词》为代表的词籍整理过程中,唐圭璋积极运用“依律校词”法,校勘词调、字句、分段、词韵,提供了较为翔实可靠的作品文本,从另一层面有力地推进了词律之学。唐圭璋的词体声律研究以“讲求实证”“多闻阙疑”“守律达变”为特点,是现代词体学的可贵范例,需要引起足够的重视。As one of the“three masters of Ci Studies”in the 20th century,Tang Guizhang’s achievements in in Ci poetry philology are highly regarded while his exploration of the phonology of Ci forms is often overlooked.Many of Tang Guizhang’s early teachers and friends were experts in the study of Ci phonology,and under their influence,Tang Guizhang made significant contributions in revising Ci scores,analyzing sounds and rhymes,and discussing the boundaries of poetry and Ci.He left behind a number of creative accomplishments in these areas.In the process of compiling Ci anthologies The Complete Collection of Ci of the Song Dynasty,Tang Guizhang actively employed the method of“correcting Ci according to rules”.He collated Ci tunes,words,sections,and rhymes,providing a more detailed and reliable textual basis for the works,thus effectively promoting the study of Ci phonology from another perspective.The study of Ci phonology by Tang Guizhang is characterized by“relying on evidence”,“seeking knowledge to resolve doubts”,and“adhering to rules while accommodating changes”.It serves as a valuable example of modern Ci studies and deserves sufficient attention.

关 键 词：唐圭璋 词体 声律 依律校词 

分 类 号：I207.23[文学—中国文学]