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作 者:王桂荣[1] 刘佳慧[1] WANG Gui-rong;LIU Jia-hui(Liaoning Normal University,College of Arts,Dalian 116200,Liaoning,China)
出 处:《贵阳学院学报(社会科学版)》2023年第4期96-100,共5页Journal of Guiyang University:Social Sciences
摘 要:东西《回响》中的叙事美学展现出极具特色的创造力和想象力。东西将叙事语言、叙事视角作为独立的审美因素,通过限知视角、反限知视角之间的不断转换、纠缠,呈现出流动视角的艺术效果。他采用陌生化的语言与日常语言杂糅的寓言性语言,将叙事对准时代、人性、记忆,围绕揭开小说人物冉咚咚生活和内心的秘密,呈现出当代现实与人性的复杂与悖论,凸显出时代映射下人的精神裂变与情感危机。这部作品的叙事之力,体现了东西向新叙事类型创新的努力,同时也通过叙事传达出东西对人性的细微体察和哲学思考。The narrative aesthetics in Dongxi’s Echo have shown the writer’s unique creativity and imagination.He takes narrative language and narrative perspective as independent aesthetic factors,and presents the artistic effect of flowing perspective through the continuous transformation and entanglement between limited perspective and anti-limited perspective.His adoption of allegorical language,which is a blend of alienated suspense language and everyday language,aims the narrative objects at the times,human nature,and memory,through which he has unwound Ran Dongdong’s life and secrets,revealed the complexity and paradox of reality and human nature,and highlighted people’s mental collapse and emotional crisis of the time.The narrative power of this work reflects Dongxi’s efforts towards new types of narrative innovation,and at the same time his subtle understanding and philosophical thinking of human nature through narrative.
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