汉画套袖舞的历史存在  

The Historical Existence of Han Dynasty Painting Double Sleeves Dance

作　　者：刘泠君 Liu Lingjun(Beijing Dance Academy,Beijing 100081)

机构地区：[1]北京舞蹈学院,北京100081

出　　处：《中国舞蹈学》2023年第1期39-50,341,342,共14页CHOREOLOGY IN CHINA

摘　　要：套袖舞是汉画舞蹈中一体性道具舞袖舞的一支,在汉画袖舞图像中为数甚多,但目前对其研究较为薄弱。本文通过对套袖舞的早期图像与汉画中的像石形态分析,揭示两者间的传承关系。同时观照汉代经济生活以探索汉代套袖舞形态发展、数量增多的可能原因,并从服饰与舞容象征中探析其隐喻表达的思想观念。Double sleeves dance is one of the integrated prop dance sleeve dances in Han dynasty painting dance.There are a large number of double sleeves dance images in Han dynasty painting,but the research on it is relatively weak at present.This paper analyzes the morphology of the early images of the double sleeves dance and the images of the Han dynasty stone relief to see the inherent relationship between them.At the same time,by observing the economic of the Han dynasty,we explore the possible reasons for the development of the form and the increase of the number of double sleeves dance in the Han dynasty,and explore the idea of metaphorical expression from the symbols of costumes and dances.

关 键 词：汉画舞蹈 汉画像石 套袖舞 

分 类 号：I20[文学—中国文学]