门德尔松作曲技法中的“悬念设置”与“真假交错”特点研究——以Op.30 No.5、Op.38 No.4为例  

False Interlacing"in Mendelssohn′s Composing Techniques:Taking Op.30 No.5 and Op.38 No.4 as Examples

作　　者：张晓露 ZHANG Xiaolu(Department of Music,Wanjiang College of Anhui Normal University,Wuhu 241008,China)

机构地区：[1]安徽师范大学皖江学院音乐系,安徽芜湖241008

出　　处：《宿州学院学报》2023年第7期42-45,共4页Journal of Suzhou University

基　　金：安徽省质量工程线下课程项目(2021xxkc061)。

摘　　要：门德尔松作为早期浪漫主义时期最具代表性的作曲家、指挥家、钢琴家,在其一生中创作了大量的艺术珍品,精湛的创作技巧以及独特的创作方式使其在音乐发展历史中占据重要地位。以门德尔松作品Op.30 No.5、Op.38 No.4作为研究对象,以音乐分析为基础逐步深入,探究其创作风格,并归纳门德尔松创作特点中“悬念设置”与“真假交错”的使用。这不仅为浪漫主义风格奠定了基础,且对于门德尔松作品的二度创作有着深远意义。As the most representative composer,conductor and pianist in the early Romantic period,Felix Mendelssohn Bartholdy created a large number of artistic treasures in his life,the exquisite creation skills as well as the unique creation method caused him to occupy the important position in the music development history.Taking Mendelssohn′s works Op.30 No.5 and Op.38 No.4 as the research object,and taking the music analysis as the foundation,this paper probed into his writing style step by step,and summed up the characteristics of Mendelssohn′s creative"Suspense setting"and"True and false interlacing".This not only laid the foundation for the Romantic style,but also had profound significance for the second creation of Mendelssohn′s works.

关 键 词：门德尔松 无词歌 创作特点 悬念设置 真假交错 

分 类 号：J614.1[艺术—音乐] J624.1