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作 者:吴竟诚 WU Jingcheng(Academy of Arts&Design,Tsinghua University,Beijing 100084,China)
机构地区:[1]清华大学美术学院,北京100084
出 处:《浙江海洋大学学报(人文科学版)》2023年第4期105-113,共9页Journal of Zhejiang Ocean University(Humanities Sciences)
摘 要:我国的漆艺发展在新时代迎来了新的挑战和机遇,在继承漆艺术优秀传统的基础上,借鉴当代艺术的观念、形式和风格,力图创新突破。特别是对涌现出来的新材料、新造型等方面介入漆艺作品的表现研究,漆艺作者不断在做各种尝试:如通过将亚克力等新材料引入漆艺作品中的应用实验研究,拓宽了漆艺作品的造型语言和表现形式,对我国当代漆艺的现代化转型和创新发展作了有益的探索。The development of lacquer art in China has faced new challenges and opportunities in the new era.On the basis of inheriting the excellent tradition of lacquer art,we are trying hard to make an innovative breakthrough by drawing on the concepts,forms and styles of contemporary art.Especially for the emerging new materials,new shapes,and other aspects involved in the performance research of lacquer art works,lacquer art authors are constantly making various attempts.For instance,by introducing new materials such as acrylic into lacquer art works through experimental research,the modeling language and expression forms of lacquer art works have been broadened,and beneficial exploration has been made for the modern transformation and innovative development of contemporary lacquer art in China.
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