哀世、愤世、劝世——蒲松龄灾害诗书写的情感维度  

Mourning,Cynicism and Persuasion——the Emotional Dimensions of Pu Songling's Disaster Poems

作　　者：刘邦 LIU Bang(School of Literature,Harbin Normal University,Harbin 150025,China)

机构地区：[1]哈尔滨师范大学文学院,黑龙江哈尔滨150025

出　　处：《青岛农业大学学报（社会科学版）》2023年第3期112-117,共6页Journal of Qingdao Agricultural University(Social Science)

摘　　要：清初文坛,蒲松龄不仅因《聊斋志异》声名鹊起,其诗歌创作亦自有特色。其笔下的灾难诗,以“纪实”的手法对康熙时期山东地域灾害进行书写,具有一定的写实性。蒲松龄不仅对灾难现场进行了客观摄录,刻画出灾难面前百姓的困窘境遇,更揭示出赈灾官员的贪腐与懒政,同时也将其一腔孤愤寄托神灵,可谓集哀世、愤世与劝世思想于一身。而其书写视角的情感取向,与蒲松龄的人生际遇不无关系,应是其现实际遇的真实写照。In the literary world of the early Qing Dynasty,Pu Songling rose to fame mainly for his novel Strange Stories from a Strange Studio,but his poetry creation had its own characteristics.His disaster poems are realistic to a certain extent,writing about the regional disasters in Shandong during the Kangxi period in the“documentary”method.Pu Songling not only recorded the disaster scenes objectively,depicted the plight of the people in front of the disaster,but revealed the corruption and laziness of the disaster relief officials.At the same time,he also expressed his loneliness and anger to the gods,which can be said to be a combination of mourning,cynicism and persuasion towards the world.The emotional orientation of such writing perspective is not unrelated to his life and might be a true portrayal of his real life.

关 键 词：蒲松龄 灾害诗 哀世 愤世 劝世 

分 类 号：I222.7[文学—中国文学]