基于长沙马王堆漆奁在现代女性首饰盒的设计应用  

Based on the a Application of Changsha Mawangdui Lacquer Dowry in the Design of Modern Women's Jewelry Boxes

作　　者：李宜昊 张智艳 LI Yi-hao ZHANG Zhi-yan(School of Architecture and Art Design,Hunan University of Science and Technology,Xiangtan,Hunan 411201)

机构地区：[1]湖南科技大学建筑与艺术设计学院,湖南湘潭411201

出　　处：《湖南包装》2023年第4期153-156,共4页

基　　金：2021年度湖南省社会科学成果评审委员会重点课题(XSP21ZDI016)。

摘　　要：文章以长沙马王堆漆奁为研究对象,探寻漆奁的艺术特征和文化内涵,提炼元素并创新与现代首饰盒设计相结合。采用文献研究、图像学研究、类型学研究、问卷调查等方法对纹样造型的艺术符号以及色彩元素的提取归纳进行研究,收集并总结用户对首饰盒的材质、造型、色彩、风格样式等需求,以便制定最佳设计方案。将元素通过拆分与重组方式,不断地对纹样分解,并运用构成法则将单元图案排列重组,融入现代首饰盒中。长沙马王堆漆奁的制作工艺与设计思想体现出古人对造型把控和审美特征已经有了独特的艺术见解。将当下的设计审美观念渗透到此次设计中,既传承了长沙马王堆漆奁的造型艺术特征,又使漆器文化能够出现在大众视野,实现传统艺术向现代转换。This article takes Changsha Mawangdui lacquer dowry as the research object,explores the artistic characteristics and cultural connotation of lacquer dowry,extracts elements and innovates,and combines them with modern jewelry boxes.Using literature research,iconography research,typology research,questionnaire survey and other methods to study the extraction and induction of artistic symbols and color elements of pattern modeling,collect and summarize users'needs for jewelry boxes such as materials,shapes,colors,styles,etc.,In order to formulate the best design scheme.By splitting and reorganizing the elements,the patterns are continuously decomposed,and the unit patterns are arranged and reorganized by using the composition law,and integrated into the modern jewelry box.The production process and design ideas of Changsha Mawangdui lacquer dowry reflect that the ancients had unique artistic insights on shape control and aesthetic characteristics.Infiltrating the current design aesthetic concept into this design not only inherits the plastic art characteristics of Changsha Mawangdui lacquer dowry,but also enables the lacquerware culture to appear in the public eye,realizing the transformation of traditional art to modernity.

关 键 词：长沙马王堆 漆奁 纹样 现代女性 首饰盒设计 

分 类 号：K876.7[历史地理—考古学及博物馆学] TS959.3[历史地理—历史学]