战时日本“电影国策”观念的生成与演变  

Construction and Evolution of Japan's “National Policy of Film” during the War

作　　者：孙继强 SUN Jiqiang

机构地区：[1]苏州大学外国语学院,苏州215301 [2]苏州大学国别与区域研究院,苏州215301

出　　处：《北华大学学报（社会科学版）》2023年第4期29-39,F0002,151,共13页Journal of Beihua University(Social Sciences)

基　　金：国家社会科学基金重大招标项目“近代以来至二战结束期间日本涉华宣传史料的整理与研究”(20&ZD237)的阶段性研究成果。

摘　　要：战时为强化电影媒体对国策的服务功能,日本当局将电影事业纳入其宣传体系内,推动电影产业深度参与国策宣传,逐步确立起“电影国策”的统制观念并付诸实践。在战时体制构建和媒体政策法西斯化过程中,电影事业也从观念、体制和行动上强化了其战争宣传工具的角色认同,推动了“电影国策”的落实和纵深发展,从而为战时日本内外政策的推行提供了重要的舆论支持。“电影国策”观念的核心是强化电影媒体对“国策”的服务功能,“国策性”可谓战时日本电影事业的最大特征,“电影国策”观念指导下的战时日本电影事业呈现出浓厚的战争色彩,对日本内外政策的宣传和贯彻发挥了重要推动作用。In order to strengthen the service function of the film media to the national policy in wartime,the Japanese authorities incorporated the film industry into its propaganda system and gradually established the “national policy of film” and put it into practice.In the process of the construction of wartime system and the legalization of media policy,the film industry also strengthened its role identifi-cation of war propaganda tools from the concept,system and action,thus promoting the implementation and in-depth development of the “national policy of film”.Under the guidance of the concept of “national policy of film”,the wartime Japanese film industry showed a strong color of war,which played an important role in promoting the propaganda and implementation of Japan's domestic and foreign policies.

关 键 词：“电影国策” 战时宣传 媒体法西斯化 言论统制 

分 类 号：K313.4[历史地理—历史学]